The Fill Light should be set up on the other side of the camera at a right angle to the Key Light.

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Multiple Choice

The Fill Light should be set up on the other side of the camera at a right angle to the Key Light.

Explanation:
Fill light softens the shadows created by the key light, giving the face a more balanced, natural look. Placing the fill on the opposite side of the camera from the key light and at about a 90-degree angle to the key positions it to illuminate the shadowed side without washing out the facial contours. This preserves depth and dimension while reducing hard contrast. If the fill were in front of the subject, the lighting would flatten features; if behind the subject, you’d get backlight or rim lighting rather than effectively filling shadows.

Fill light softens the shadows created by the key light, giving the face a more balanced, natural look. Placing the fill on the opposite side of the camera from the key light and at about a 90-degree angle to the key positions it to illuminate the shadowed side without washing out the facial contours. This preserves depth and dimension while reducing hard contrast. If the fill were in front of the subject, the lighting would flatten features; if behind the subject, you’d get backlight or rim lighting rather than effectively filling shadows.

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